Practical Guide to Scene Painting And Painting in Distemper
Practical Guide to Scene Painting And Painting in Distemper
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In our eReader you can find the full English version of the book. Read Practical Guide to Scene Painting And Painting in Distemper Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Practical Guide to Scene Painting And Painting in Distemper
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In every instance, the laying in must be executed before the drawing is commenced, some strong size having been put with all the broken colours so as to obtain a good firm ground on which to draw and paint ; this ground being retained over almost all the scene, just as a discreet artist would do when he selects tinted paper for his crayon or water colour drawings.
66 SCENE PAINTING AND DISTEMPER PAINTING.
HOW TO DRAW AND ARRANGE THE SET PIECES FOR A SET SCENE.
After your design is completed, co...nsider how, and where, to divide your set pieces from the cloth and from one another. In the Diagram here shown it need hardly be suggested that the line running nearly across the picture, just above the small bridge, would be the best to form the edge of a set row ; and it would improve the picture, to be able to have a strong light behind that line, which should proceed from a row of gas lights placed as near to the top edge as possible, without being in sight.
The ground row in front of that is for the purpose of masking a row of lights used for lighting up the scene ; and the raking piece to the right, and in front, serves to break up the stage a little more, and to mask a raking platform for some of the characters to make their entrance upon, if required.
What to read after Practical Guide to Scene Painting And Painting in Distemper?
You can find similar books in the "Read Also" column, or choose other free books by F Lloyds to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In every instance, the laying in must be executed before the drawing is commenced, some strong size having been put with all the broken colours so as to obtain a good firm ground on which to draw and paint ; this ground being retained over almost all the scene, just as a discreet artist would do when he selects tinted paper for his crayon or water colour drawings.
66 SCENE PAINTING AND DISTEMPER PAINTING.
HOW TO DRAW AND ARRANGE THE SET PIECES FOR A SET SCENE.
After your design is completed, co...nsider how, and where, to divide your set pieces from the cloth and from one another. In the Diagram here shown it need hardly be suggested that the line running nearly across the picture, just above the small bridge, would be the best to form the edge of a set row ; and it would improve the picture, to be able to have a strong light behind that line, which should proceed from a row of gas lights placed as near to the top edge as possible, without being in sight.
The ground row in front of that is for the purpose of masking a row of lights used for lighting up the scene ; and the raking piece to the right, and in front, serves to break up the stage a little more, and to mask a raking platform for some of the characters to make their entrance upon, if required.
What to read after Practical Guide to Scene Painting And Painting in Distemper?
You can find similar books in the "Read Also" column, or choose other free books by F Lloyds to read onlineMoreLess
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