Practical Harmony On a French Basis
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Ex. 82. I ^i: ^^=P"^=i M--=i; -<&- -Sh -&- i :^=f:: If, however, the fundamental of the six-four chord does not appear in the choi-d_/b//oW2«^ the six-four chord, it is better not to double the fundamental. Ex. 83. 1 ri iS ::^= -ei- I i As was stated at the beginning of this chapter, any chord in its second inversion, entering without preparation of its fourth, will produce a modulation. From this it will be understood why the second inversion on a tonic needs no preparation in either major or minor. A six-four chord on a tonic only strengthens its own 48 PRACTICAL HARMONY. tonality. This chord on a tonic should always be attacked on the strongly accented part of the measure. Ex. 84. i -j- -^- 91: Wz I i When a six-four chord is preceded by another position of the same chord it needs no preparation, as at « ; when succeeded by another position of the same chord it needs no resolution, as at ^ : Ex. 85 I Successive six-four chords are permissible only when one is built on a diminished triad ; this fourth needs no preparation.
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To quickly assess the difficulty of the text, read a short excerpt:
Ex. 82. I ^i: ^^=P"^=i M--=i; -<&- -Sh -&- i :^=f:: If, however, the fundamental of the six-four chord does not appear in the choi-d_/b//oW2«^ the six-four chord, it is better not to double the fundamental. Ex. 83. 1 ri iS ::^= -ei- I i As was stated at the beginning of this chapter, any chord in its second inversion, entering without preparation of its fourth, will produce a modulation. From this it will be understood why the second inversion on a tonic needs no preparation in either major or minor. A six-four chord on a tonic only strengthens its own 48 PRACTICAL HARMONY. tonality. This chord on a tonic should always be attacked on the strongly accented part of the measure. Ex. 84. i -j- -^- 91: Wz I i When a six-four chord is preceded by another position of the same chord it needs no preparation, as at « ; when succeeded by another position of the same chord it needs no resolution, as at ^ : Ex. 85 I Successive six-four chords are permissible only when one is built on a diminished triad ; this fourth needs no preparation.
What to read after Practical Harmony On a French Basis?
You can find similar books in the "Read Also" column, or choose other free books by Homer Albert Norris to read online
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