Practical Hints On Modelling Design And Mural Decoration
Practical Hints On Modelling Design And Mural Decoration
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In our eReader you can find the full English version of the book. Read Practical Hints On Modelling Design And Mural Decoration Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Practical Hints On Modelling Design And Mural Decoration
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To quickly assess the difficulty of the text, read a short excerpt:
PROCESS OF MODELLING.
To model a figure, a sort of iron fratnen'ork is set up, with cross-bars on which thin lead-piping is attached, for the foundation of the arms and legs, bent into the position required for the future figure. The leg-irons are then fixed on a wooden stand with this amuitnrc, and placed on a turn-table with a revolving top, in order to turn the whole model round in either direction, and to allow the work to be carried out from every point of view with the light from any side... of it. Over this iron skeleton (a sort of scaffolding of the intended bony structure of the figure) modelling clay is applied and manipulated with the fingers first, and then with wooden modelling tools.
Measurements, from which the sculptor invariably work-, are taken from the living model with calipers to be conveyed to the clay model he has in hand. Working on the principle of depth as his base with the smallest amount of clay, the sculptor proceeds to build up by adding thin slips of clay. From this solid foundation 52 PRACTICAL HINTS he continues to produce his model, always by adding to the foundation and never taking away or carving the clay.
What to read after Practical Hints On Modelling Design And Mural Decoration?
You can find similar books in the "Read Also" column, or choose other free books by Henry Francis William Ganz to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
PROCESS OF MODELLING.
To model a figure, a sort of iron fratnen'ork is set up, with cross-bars on which thin lead-piping is attached, for the foundation of the arms and legs, bent into the position required for the future figure. The leg-irons are then fixed on a wooden stand with this amuitnrc, and placed on a turn-table with a revolving top, in order to turn the whole model round in either direction, and to allow the work to be carried out from every point of view with the light from any side... of it. Over this iron skeleton (a sort of scaffolding of the intended bony structure of the figure) modelling clay is applied and manipulated with the fingers first, and then with wooden modelling tools.
Measurements, from which the sculptor invariably work-, are taken from the living model with calipers to be conveyed to the clay model he has in hand. Working on the principle of depth as his base with the smallest amount of clay, the sculptor proceeds to build up by adding thin slips of clay. From this solid foundation 52 PRACTICAL HINTS he continues to produce his model, always by adding to the foundation and never taking away or carving the clay.
What to read after Practical Hints On Modelling Design And Mural Decoration?
You can find similar books in the "Read Also" column, or choose other free books by Henry Francis William Ganz to read onlineMoreLess
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