Practical Hints On Playwriting
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In our eReader you can find the full English version of the book. Read Practical Hints On Playwriting Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Practical Hints On Playwriting
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Discord is a necessary foil, and dialogue that is too smoothly written becomes lethargic. The art of effective dia- PRACTICAL HINTS ON PLAYWRITING 59 logue is very largely the art of effective sound — sound which is the vehicle of sense and its interpreter.
Keep your emphatic words for the end of your sentence, and do not make those sentences too long-winded or the actor's breath will fail him just when he needs it to make his point. Some ten years ago complaint was made against the actors of t...he time that they dropped their voices at the end of every sentence, swal- lowing their last few words. I believe myself that this was partly the fault of the dramatists, who, at that period, were writing three- barrelled sentences of involved structure, which were exhausting to speak and which did not allow of any lifted inflection towards the end. When dramatists write crisply they get their lines crisply delivered: when dramatists write effective scenes they get effective acting. If we look back along the history of the drama we shall find that great acting dies off our stage when great scenes cease to appear in our plays.
What to read after Practical Hints On Playwriting?
You can find similar books in the "Read Also" column, or choose other free books by Agnes Platt to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Discord is a necessary foil, and dialogue that is too smoothly written becomes lethargic. The art of effective dia- PRACTICAL HINTS ON PLAYWRITING 59 logue is very largely the art of effective sound — sound which is the vehicle of sense and its interpreter.
Keep your emphatic words for the end of your sentence, and do not make those sentences too long-winded or the actor's breath will fail him just when he needs it to make his point. Some ten years ago complaint was made against the actors of t...he time that they dropped their voices at the end of every sentence, swal- lowing their last few words. I believe myself that this was partly the fault of the dramatists, who, at that period, were writing three- barrelled sentences of involved structure, which were exhausting to speak and which did not allow of any lifted inflection towards the end. When dramatists write crisply they get their lines crisply delivered: when dramatists write effective scenes they get effective acting. If we look back along the history of the drama we shall find that great acting dies off our stage when great scenes cease to appear in our plays.
What to read after Practical Hints On Playwriting?
You can find similar books in the "Read Also" column, or choose other free books by Agnes Platt to read onlineMoreLess
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