Practical Lesson Plans in Harmony
Practical Lesson Plans in Harmony
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Definition 45. A dominant seventh chord (sign Vy) is formed by adding to the dominant triad a minor seventh above its root. This is equivalent to adding a minor third to the dominant triad. It is composed of a root, major third, perfect fifth, and minor seventh. It is the same for minor and major keys.
Preparation 46. Review of primary triads.
Presentation 47. Value of Dominant Seventh Chord. It defines abso- lutely the key, though not the mode. Any combination of notes, therefore, which can be... resolved to a major triad and a minor seventh is a dominant seventh chord in a certain key, regardless of the initial signature. In a minor key, however, the raised leading tone, which 24 THE DOMINANT SEVENTH CHORD 25 is the third of the dominant seventh, is always indicated by a chromatic sign.
a. Classification. The Vj is a dissonant chord and therefore demands a resolution. By resolution is meant the progression of a dissonance to a consonance.
The V7 regularly resolves to the tonic triad; the seventh descends one degree ; the root ascends a f oinrth or descends a fifth.
What to read after Practical Lesson Plans in Harmony?
You can find similar books in the "Read Also" column, or choose other free books by Helen S Helen Sewall Leavitt to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Definition 45. A dominant seventh chord (sign Vy) is formed by adding to the dominant triad a minor seventh above its root. This is equivalent to adding a minor third to the dominant triad. It is composed of a root, major third, perfect fifth, and minor seventh. It is the same for minor and major keys.
Preparation 46. Review of primary triads.
Presentation 47. Value of Dominant Seventh Chord. It defines abso- lutely the key, though not the mode. Any combination of notes, therefore, which can be... resolved to a major triad and a minor seventh is a dominant seventh chord in a certain key, regardless of the initial signature. In a minor key, however, the raised leading tone, which 24 THE DOMINANT SEVENTH CHORD 25 is the third of the dominant seventh, is always indicated by a chromatic sign.
a. Classification. The Vj is a dissonant chord and therefore demands a resolution. By resolution is meant the progression of a dissonance to a consonance.
The V7 regularly resolves to the tonic triad; the seventh descends one degree ; the root ascends a f oinrth or descends a fifth.
What to read after Practical Lesson Plans in Harmony?
You can find similar books in the "Read Also" column, or choose other free books by Helen S Helen Sewall Leavitt to read onlineMoreLess
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