Programme 1912-13

Cover Programme 1912-13
Programme 1912-13
Boston Symphony Orchestra
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* * * The concerto in Bach's day had these meanings: " (i) a music school; (2) either vocal or instrumental chamber music, a piece that is called 'concerto'; (3) viohn pieces which are so arranged that each player will at a certain time be prominent, and play in turn with the other parts in rivalry. In such pieces, when only the first player dominates, and where only one of many violinists is prominent for remarkable agility, this player is called 'violono concertino.'" (" Musicalisches Lexicon
...," by J. G. Walther, Leipsic, 1732.) It is stated that the word "concerto," as applied to a jDiece for a solo instrument with accom- paniment, first appears in a treatise by Scipio Bargagha, published at Venice in 1587, and that Giuseppe Torelli, who died in 1703, was the first to suggest a larger number of instruments in a concerto and to give the name to this species of composition, concerto grosso. But Michelletti, seventeen years before, had published his "Simfonie et concerti a quatro" and in 1698 his "Concerti musicali," while the word DIAMONDS AND OTHER GEMS MOUNTED IN ORIGINAL DESIGNS in PLATINUM and GOLD GEORGE E.

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