Programme 1914-15
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The first was composed in 1899 and pubhshed in 1902. The first performance of it was probably at Helsingfors, but I find no record of the date. The symphony was played in Berlin at a concert of Finnish music, led by Kejanus, in July, 1900.
The first performance in Boston was at a concert of the Boston Symphony Orchestra, January 5, 1907, when Dr. Muck conducted.
A second performance was led by Dr. Muck on November 16, 191 2.
The symphony is scored for two flutes, two oboes, two clarinets, two b...assoons, four horns, three trumpets, three trombones, bass tuba, kettledrums, bass drum, cymbals, triangle, harp, and strings.
I. Introduction: Andante ma non troppo, E minor, 2-2. Over a drum-roll that rises and falls in intensity a clarinet sings a mom-nful melody, which is of much importance in the Finale of the symphony.
The first violins, after the short introduction, give out the first theme with imitative passages for violas and violoncellos. Allegro energico, E minor, 6-4. There are two subsidiary motives, one for wind instruments and one, derived from this last, for strings.
What to read after Programme 1914-15?
You can find similar books in the "Read Also" column, or choose other free books by Boston Symphony Orchestra to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The first was composed in 1899 and pubhshed in 1902. The first performance of it was probably at Helsingfors, but I find no record of the date. The symphony was played in Berlin at a concert of Finnish music, led by Kejanus, in July, 1900.
The first performance in Boston was at a concert of the Boston Symphony Orchestra, January 5, 1907, when Dr. Muck conducted.
A second performance was led by Dr. Muck on November 16, 191 2.
The symphony is scored for two flutes, two oboes, two clarinets, two b...assoons, four horns, three trumpets, three trombones, bass tuba, kettledrums, bass drum, cymbals, triangle, harp, and strings.
I. Introduction: Andante ma non troppo, E minor, 2-2. Over a drum-roll that rises and falls in intensity a clarinet sings a mom-nful melody, which is of much importance in the Finale of the symphony.
The first violins, after the short introduction, give out the first theme with imitative passages for violas and violoncellos. Allegro energico, E minor, 6-4. There are two subsidiary motives, one for wind instruments and one, derived from this last, for strings.
What to read after Programme 1914-15?
You can find similar books in the "Read Also" column, or choose other free books by Boston Symphony Orchestra to read onlineMoreLess
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