Proportion And Harmony of Line And Color in Painting Sculpture And Architectur

Cover Proportion And Harmony of Line And Color in Painting Sculpture And Architectur
Proportion And Harmony of Line And Color in Painting Sculpture And Architectur
George Lansing Raymond
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So much with reference to the appearance of vertical lines, if at a dis- tance and rising to extreme height. But it is important, in connection with them, to have attention directed to the fact that, if these lines are near, or rise but little above the horizontal level, their appearance is determined by an entirely different principle, which has an exactly opposite effect. The principle is derived from the fact of the rota- tion of the eyes. They rotate whenever the axes of the two eyes conver...ge i. E. , whenever in order to see distinctly and specifically, as distinguished from indistinctly and generally, the two eyes move away from each other not toward each other, as some might suppose, forgetting that 238 PROPORTION AND HARMONY.
the lines of vision i. R. , the axes of the two eyes cross in passing outward (Le Conte's " Sight, " p. 203). The eyes rotate thus, not only when moving apart to look fixedly at the scene in front, but when, moving in the same direction, both are glancing from side to side of this scene.


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