Punch, Or the London Charivari, volume 102, January 16, 1892
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In our eReader you can find the full English version of the book. Read Punch, Or the London Charivari, volume 102, January 16, 1892 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Punch, Or the London Charivari, volume 102, January 16, 1892
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To quickly assess the difficulty of the text, read a short excerpt:
The audience isheld spell-bound, --yet, for my part, I should have welcomed a greatervariety in tone and action.
[Illustration: Ellen Terry as Kate. ] Miss ELLEN TERRY's _Queen Katharine_ is a "very woman. " You can seehow she has caught the King, and how she still holds him. She loveshim, actually loves him, to the last to respect him is impossible, butshe respects herself; and it is just this love for him, for what hewas, not what he is, and her respect for herself, which Miss ELLENTERRY mark...s so forcibly. _Katharine_ is a foreigner, therefore isher bearing, though stately, less stolid than that of the typicalEnglish Tragedy Queen. The note of her dying scene, so striking byits simplicity, is its perfect tranquillity. Who's _Griffith_? Whythe veteran HOWE (ah, Howe, When and Where did I first see you, Sir? Wasn't it in the days when good old Mortonian farces were theattraction at the Haymarket?) is "_the_ safe man, " and excellentlywell did he deliver his epitaph on _Wolsey_. But all are good, notforgetting our old friend the sterling, that is the ARTHUR STIRLINGactor as _Cranmer_, and the youthful GILLIE FARQUHAR, unrecognisableas _Lord Sands_, looking as ancient as if he were The Sands of Time.
What to read after Punch, Or the London Charivari, volume 102, January 16, 1892?
You can find similar books in the "Read Also" column, or choose other free books by Various to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The audience isheld spell-bound, --yet, for my part, I should have welcomed a greatervariety in tone and action.
[Illustration: Ellen Terry as Kate. ] Miss ELLEN TERRY's _Queen Katharine_ is a "very woman. " You can seehow she has caught the King, and how she still holds him. She loveshim, actually loves him, to the last to respect him is impossible, butshe respects herself; and it is just this love for him, for what hewas, not what he is, and her respect for herself, which Miss ELLENTERRY mark...s so forcibly. _Katharine_ is a foreigner, therefore isher bearing, though stately, less stolid than that of the typicalEnglish Tragedy Queen. The note of her dying scene, so striking byits simplicity, is its perfect tranquillity. Who's _Griffith_? Whythe veteran HOWE (ah, Howe, When and Where did I first see you, Sir? Wasn't it in the days when good old Mortonian farces were theattraction at the Haymarket?) is "_the_ safe man, " and excellentlywell did he deliver his epitaph on _Wolsey_. But all are good, notforgetting our old friend the sterling, that is the ARTHUR STIRLINGactor as _Cranmer_, and the youthful GILLIE FARQUHAR, unrecognisableas _Lord Sands_, looking as ancient as if he were The Sands of Time.
What to read after Punch, Or the London Charivari, volume 102, January 16, 1892?
You can find similar books in the "Read Also" column, or choose other free books by Various to read onlineMoreLess
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