Punch, Or the London Charivari, volume 156, May 21, 1919
Punch, Or the London Charivari, volume 156, May 21, 1919
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In our eReader you can find the full English version of the book. Read Punch, Or the London Charivari, volume 156, May 21, 1919 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Punch, Or the London Charivari, volume 156, May 21, 1919
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By a scheme for auniform salary for all dancers, compulsory vegetarian diet, and theexclusive use of the balalaika, Mr. Ploffskin was of opinion thata Bolshevist Ballet might be safely organised so as to satisfy theartistic aspirations of the proletariat and counteract the perniciousinfluences of the pseudo-Ethiopian style affected by the idle rich.
Examined by Sir Edwin Edgar, O. M. , Mr. Ploffskin admitted that none ofthe famous Russian composers of recent years had associated themselveswith ...the Revolutionary movement, and that the Russian Ballet hadoriginally been an integral part of the Imperial Opera. But he had nodoubt that on a proper proletarian basis it would function with afar more beneficent activity. He pointed out that there was a strongfacial resemblance between TROTSKY and M. PADEREWSKI, and betweenLENIN and BEETHOVEN. In reply to a question from Mr. Moody MacTear, Mr. Ploffskin said that he had been down a coal-mine in Siberia.
Sir Mark Holloway, who next occupied the witness's chair, admitted, in reply to the questions of Sir Gladney Jebb, that, since his studentdays, he had seldom been engaged in manual labour on any instrumentfor more than two hours a day.
What to read after Punch, Or the London Charivari, volume 156, May 21, 1919?
You can find similar books in the "Read Also" column, or choose other free books by Various to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
By a scheme for auniform salary for all dancers, compulsory vegetarian diet, and theexclusive use of the balalaika, Mr. Ploffskin was of opinion thata Bolshevist Ballet might be safely organised so as to satisfy theartistic aspirations of the proletariat and counteract the perniciousinfluences of the pseudo-Ethiopian style affected by the idle rich.
Examined by Sir Edwin Edgar, O. M. , Mr. Ploffskin admitted that none ofthe famous Russian composers of recent years had associated themselveswith ...the Revolutionary movement, and that the Russian Ballet hadoriginally been an integral part of the Imperial Opera. But he had nodoubt that on a proper proletarian basis it would function with afar more beneficent activity. He pointed out that there was a strongfacial resemblance between TROTSKY and M. PADEREWSKI, and betweenLENIN and BEETHOVEN. In reply to a question from Mr. Moody MacTear, Mr. Ploffskin said that he had been down a coal-mine in Siberia.
Sir Mark Holloway, who next occupied the witness's chair, admitted, in reply to the questions of Sir Gladney Jebb, that, since his studentdays, he had seldom been engaged in manual labour on any instrumentfor more than two hours a day.
What to read after Punch, Or the London Charivari, volume 156, May 21, 1919?
You can find similar books in the "Read Also" column, or choose other free books by Various to read onlineMoreLess
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