Queens of Song Being Memoirs of Some of the Most Celebrated Female Vocalists Wh
Queens of Song Being Memoirs of Some of the Most Celebrated Female Vocalists Wh
Ellen Creathorne Clayton
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Cinti, after a long absence, reappeared in the part of Mathilde. In October 3fosb hi Egitto was produced, Pasta filliii2j the leading characters with eclat. In January of the following year Madame Pasta for the first time appeared before the public in her great masterpiece — the character of Medea, in Mayer's opera. Even her Avarmest admirers were taken by surprise by the grandeur of her im- personation. Nothing could surpass her performance of this 254 QUEENS OF SONG. character; it was a trium...ph of histrionic art, and afforded every o2323ortuuity for the display of all the resources of her genius — the varied powers which had been called forth and combined in Medea, the passionate tenderness of Romeo, the spirit and animation of Taucredi, the majesty of Semiramide, the mournful beauty of Nina, the dignity and sweetness of Desdemona. It is difficult to conceive a character more high- ly dramatic or more intensely impassioned than that of Medea; and in the successive scenes. Pasta appeared as if torn by the conflict of contending passions, until at last her anguish rose to sublimity.
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