Reflections On the Painting And Sculpture of the Greeks: With Instructions ...
Reflections On the Painting And Sculpture of the Greeks: With Instructions ...
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The difference of the hands is vifible : but in the Madonna^ the f{Mrit of that epoch, in which Raphael poformed his Athenian fi:hool, ihines with io full a luftre, as to make even the antfao* rity of Vafati fuperfluous.
'Tis no eafy matter to convince a critkk,.
tronceited enou^ to blame the Jefus of the Madonna^ that he is mi^sdcen. Pythagoras, fays an antient philoibpher^ and Anaxa*^ goras look at the fun vitik diifetent eyes t the former fees a God, the latter a fbne.
We want but experience... to difcovcr truth and beauty in the faces of Raphael, with- ' Maxim. Tyr, Diff. 25. p. 303. Edit. Markl.
N 4. out 1 84 Jnfuoer to the foregoing Letter.
out eaquiring into their digiiify : beauty pleafes, but ferious graces charm*. . Such are the beauties of the ancients, which gave that ferious air to Antinpus, which we generally afcribe to his fhading locks.
Sudden raptures, or the enticement of a glance, are often momentary ; let an attentive ^ye dwell upon thofe confufed beauties which the tranfient look conveys, and the paint will vani(h.
What to read after Reflections On the Painting And Sculpture of the Greeks: With Instructions ...?
You can find similar books in the "Read Also" column, or choose other free books by Johann Joachim Winckelmann, Henry Fuseli to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The difference of the hands is vifible : but in the Madonna^ the f{Mrit of that epoch, in which Raphael poformed his Athenian fi:hool, ihines with io full a luftre, as to make even the antfao* rity of Vafati fuperfluous.
'Tis no eafy matter to convince a critkk,.
tronceited enou^ to blame the Jefus of the Madonna^ that he is mi^sdcen. Pythagoras, fays an antient philoibpher^ and Anaxa*^ goras look at the fun vitik diifetent eyes t the former fees a God, the latter a fbne.
We want but experience... to difcovcr truth and beauty in the faces of Raphael, with- ' Maxim. Tyr, Diff. 25. p. 303. Edit. Markl.
N 4. out 1 84 Jnfuoer to the foregoing Letter.
out eaquiring into their digiiify : beauty pleafes, but ferious graces charm*. . Such are the beauties of the ancients, which gave that ferious air to Antinpus, which we generally afcribe to his fhading locks.
Sudden raptures, or the enticement of a glance, are often momentary ; let an attentive ^ye dwell upon thofe confufed beauties which the tranfient look conveys, and the paint will vani(h.
What to read after Reflections On the Painting And Sculpture of the Greeks: With Instructions ...?
You can find similar books in the "Read Also" column, or choose other free books by Johann Joachim Winckelmann, Henry Fuseli to read onlineMoreLess
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