Relation of Psychology to Music
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In other respects, than those just men- tioned, is the first lesson a crisis point in the pupil's experience; to what extent, you may not realize, possibly never be able to know. What impression do you make on your pupil? Remember the educa- tional maxim that there is no impression without a corresponding expression; every stimulation from without has its attendant and inevitable reaction.
Is your manner such as to encourage or to repel?
LITTLE ACTS OF ENCOURAGEMENT. 85 Is it haughty, cold, uns...ympathetic? Eemember you are dealing with a tender soul, that needs sunshine, warmth, sympathy; it is like a rosebud, which will not open and unfold its beauty and possibilities in a chilling, biting atmosphere. When Liszt was but twelve years of age he was advertised to give a con- cert; and upon the solicitation of Schindler, Bee- thoven went to hear and encourage this youthful prodigy. When the little Liszt came out on the plat- form, he saw Beethoven sitting in the front row. In- stead of being unnerved by the great man's presence, it was an inspiration to him, and he played with great fire and abandon.
What to read after Relation of Psychology to Music?
You can find similar books in the "Read Also" column, or choose other free books by Edward Fry Bartholomew to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In other respects, than those just men- tioned, is the first lesson a crisis point in the pupil's experience; to what extent, you may not realize, possibly never be able to know. What impression do you make on your pupil? Remember the educa- tional maxim that there is no impression without a corresponding expression; every stimulation from without has its attendant and inevitable reaction.
Is your manner such as to encourage or to repel?
LITTLE ACTS OF ENCOURAGEMENT. 85 Is it haughty, cold, uns...ympathetic? Eemember you are dealing with a tender soul, that needs sunshine, warmth, sympathy; it is like a rosebud, which will not open and unfold its beauty and possibilities in a chilling, biting atmosphere. When Liszt was but twelve years of age he was advertised to give a con- cert; and upon the solicitation of Schindler, Bee- thoven went to hear and encourage this youthful prodigy. When the little Liszt came out on the plat- form, he saw Beethoven sitting in the front row. In- stead of being unnerved by the great man's presence, it was an inspiration to him, and he played with great fire and abandon.
What to read after Relation of Psychology to Music?
You can find similar books in the "Read Also" column, or choose other free books by Edward Fry Bartholomew to read onlineMoreLess
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