Rembrandt's Etching Technique: An Example
Rembrandt's Etching Technique: An Example
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In our eReader you can find the full English version of the book. Read Rembrandt's Etching Technique: An Example Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Rembrandt's Etching Technique: An Example
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After a plate hasetched for a certain time--depending on the artist's inclination--it maybe removed from the acid and some of its lines covered with a stop-outvarnish, similar in texture and acid resistance to the basic ground. Theplate is then put back in the acid and the remaining lines etched moredeeply. This can be repeated any number of times, giving a wide range ofintensity to the various etched lines. No such wide range of etchedlines appears in the finished print. Further, where the edg...e of appliedstop-out varnish crosses a single line, the change in depth of acidbiting at that point is readily visible. Again, no such change of depthof a single line is visible here. The inference, unless attributed tovery long coincidence, seems probable that Rembrandt used only a singleacid etch on the entire plate, with no stopping-out.
Re-etching also seems unlikely. If the original ground has been removedfrom a plate, the entire plate must be re-grounded, without smoking orwhitening, so that the previously etched lines show through.
What to read after Rembrandt's Etching Technique: An Example?
You can find similar books in the "Read Also" column, or choose other free books by Morse Peter to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
After a plate hasetched for a certain time--depending on the artist's inclination--it maybe removed from the acid and some of its lines covered with a stop-outvarnish, similar in texture and acid resistance to the basic ground. Theplate is then put back in the acid and the remaining lines etched moredeeply. This can be repeated any number of times, giving a wide range ofintensity to the various etched lines. No such wide range of etchedlines appears in the finished print. Further, where the edg...e of appliedstop-out varnish crosses a single line, the change in depth of acidbiting at that point is readily visible. Again, no such change of depthof a single line is visible here. The inference, unless attributed tovery long coincidence, seems probable that Rembrandt used only a singleacid etch on the entire plate, with no stopping-out.
Re-etching also seems unlikely. If the original ground has been removedfrom a plate, the entire plate must be re-grounded, without smoking orwhitening, so that the previously etched lines show through.
What to read after Rembrandt's Etching Technique: An Example?
You can find similar books in the "Read Also" column, or choose other free books by Morse Peter to read onlineMoreLess
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