Renaissance in Italy volume 3

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Anastasia, and in many altar-pieces, is at variance withFlorentine usage. On the terra-cotta mouldings, so frequent in Lombardcities, I have already had occasion to touch briefly. They almostinvariably display a feeling for beauty more sensuous, with less ofscientific purpose in their naturalism, than is common in the Tuscanstyle. Guido Mazzoni of Modena, called Il Modanino, may be mentioned asthe sculptor who freed terra-cotta from its dependence upon architecture, and who modelled groups of o...verpowering dramatic realism. His "Piet

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