Renaissance Man of Bay Area Music Oral History Transcript Tenor Teacher Ad
Renaissance Man of Bay Area Music Oral History Transcript Tenor Teacher Ad
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In our eReader you can find the full English version of the book. Read Renaissance Man of Bay Area Music Oral History Transcript Tenor Teacher Ad Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Renaissance Man of Bay Area Music Oral History Transcript Tenor Teacher Ad
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Was Martin Bernheimer kind to you?
104 Schwabacher : Crawford: Schwabacher: Yes. He wrote the review for the San Francisco papers for the California papers. I had met him one night backstage at the opera through Giorgio Tozzi. At that time Giorgio was going around with Mary Costa, and they were both singing in Manon, and I think, after that, Giorgio took us out and Martin came along. So I knew him, and he came back at intermission and sort of said, "How do you feel?" "The tenor s interpretation...s are invariably marked by taste and refinement, his delivery by restraint, and best of all, his self-appraisal reflects honesty as well as intelligence. Musically, his most impressive quality is the willingness to sing softly. He does this frequently (a rare phenomenon in tenors) and beautifully (even rarer). " 1 I told you about the reception, and I said to my mother at the reception, "Mom, 1 may never get married, but let s count this as a reception. " [laughter] It was a huge, huge thing. I can t tell you numbers, but there were people like Joseph Rosenstock, who at that time was very big at City Opera, and Met conductor Fausto Cleva, and almost every American tenor that I knew, like David Lloyd and Charlie Bressler, and Donald Gramm, of course, and my friend Ralph Herbert, who was a baritone I d known out here.
What to read after Renaissance Man of Bay Area Music Oral History Transcript Tenor Teacher Ad?
You can find similar books in the "Read Also" column, or choose other free books by James Ive Schwabacher to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Was Martin Bernheimer kind to you?
104 Schwabacher : Crawford: Schwabacher: Yes. He wrote the review for the San Francisco papers for the California papers. I had met him one night backstage at the opera through Giorgio Tozzi. At that time Giorgio was going around with Mary Costa, and they were both singing in Manon, and I think, after that, Giorgio took us out and Martin came along. So I knew him, and he came back at intermission and sort of said, "How do you feel?" "The tenor s interpretation...s are invariably marked by taste and refinement, his delivery by restraint, and best of all, his self-appraisal reflects honesty as well as intelligence. Musically, his most impressive quality is the willingness to sing softly. He does this frequently (a rare phenomenon in tenors) and beautifully (even rarer). " 1 I told you about the reception, and I said to my mother at the reception, "Mom, 1 may never get married, but let s count this as a reception. " [laughter] It was a huge, huge thing. I can t tell you numbers, but there were people like Joseph Rosenstock, who at that time was very big at City Opera, and Met conductor Fausto Cleva, and almost every American tenor that I knew, like David Lloyd and Charlie Bressler, and Donald Gramm, of course, and my friend Ralph Herbert, who was a baritone I d known out here.
What to read after Renaissance Man of Bay Area Music Oral History Transcript Tenor Teacher Ad?
You can find similar books in the "Read Also" column, or choose other free books by James Ive Schwabacher to read onlineMoreLess
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