Rendering in Pen And Ink; Instruction Paper
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10.
ALL IN LIGHT WITH HALF-TONE VALUE TO ROOF.
Color of riaterial. One of the means by which values may be introduced into a rendering, is by considering the color of the ma- terial of which the building is constructed.
Fig. 11.
HALF-TONE WALLS.
In this example. Fig. 11, we may first use the brick walls as a place to locate a gray value. In the second example. Fig. 12, the roof is used for the same value. For the very dark or black value we must depend on the shadows. Neither one of these draw-... 12 EENDEEING ings is wholly satisfactory. In the first, the roof, and in the other, the walls, seem too glaringly white. For that reason it is not always best to use the material color so broadly. To give color to Wtjd^-Lmm Fig. 12.
HALF-TONE ROOF.
HoMlr d« Vlttnral, Sia. Amfxiia, Fig. 13.
A COMPROMISE.
both walls a«d roof would destroy the white value, and the white value must not be lost. Fig. 13 shows an attempt at a compro- mise.
Shadows Only. The simplest means for obtaining values is EENDEEING 13 by the use of shadows.
What to read after Rendering in Pen And Ink; Instruction Paper?
You can find similar books in the "Read Also" column, or choose other free books by Gregg, D. A. (David A.) to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
10.
ALL IN LIGHT WITH HALF-TONE VALUE TO ROOF.
Color of riaterial. One of the means by which values may be introduced into a rendering, is by considering the color of the ma- terial of which the building is constructed.
Fig. 11.
HALF-TONE WALLS.
In this example. Fig. 11, we may first use the brick walls as a place to locate a gray value. In the second example. Fig. 12, the roof is used for the same value. For the very dark or black value we must depend on the shadows. Neither one of these draw-... 12 EENDEEING ings is wholly satisfactory. In the first, the roof, and in the other, the walls, seem too glaringly white. For that reason it is not always best to use the material color so broadly. To give color to Wtjd^-Lmm Fig. 12.
HALF-TONE ROOF.
HoMlr d« Vlttnral, Sia. Amfxiia, Fig. 13.
A COMPROMISE.
both walls a«d roof would destroy the white value, and the white value must not be lost. Fig. 13 shows an attempt at a compro- mise.
Shadows Only. The simplest means for obtaining values is EENDEEING 13 by the use of shadows.
What to read after Rendering in Pen And Ink; Instruction Paper?
You can find similar books in the "Read Also" column, or choose other free books by Gregg, D. A. (David A.) to read onlineMoreLess
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