Repetition in Latin Poetry With Special Reference to the Metrical Treatment of

Cover Repetition in Latin Poetry With Special Reference to the Metrical Treatment of
Repetition in Latin Poetry With Special Reference to the Metrical Treatment of
Hubert Mcneill Poteat
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Iam iam deficio tuoque Baccho . . . Trahor 84 . . .
Since the Pervigilium Veneris was written at a time when the artistic use of repetition was vanishing, we are doubly im j pressed by the consummate skill with which the writer of this poem has introduced his repetitions. The poem opens with a beautiful verse set off by an effective epanadiplosis, which is repeated as a refrain in 8, 12, 36, 48, 57, 62, 75, 80, 93 Cras amet qui numquam amavit quique amavit eras amet! In 2-3 we find Ver novum, v
...er iam canorum, ver renactus orbis est !
Vere concordant amores, vere nubunt alites. Lines remarkable for effective repetition are 28, 30, 31, 32, 34, 35 Ipsa Nymphas diva luco iussit ire myrteo : 84 Cf. Also i. 1. 11-13, 79-81, 2. 56-57, 148-149, 183, 197-198, 217-218, 233- 234, 3. 29-30, 57-59, 99-104, 5-3-4, 48-49, 6. 46-47, 76-8i, etc.
Repetition In Latin Poetry 39 Ite, Nymphae; posuit arma, feriatus est Amor; iussus est inermis ire, nudus ire iussus est, sed tamen, Nymphae, cavete, quod Cupido pulcher est: totus est in armis idem quando nudus est Amor.


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