Report From the Front Lines the Drug War in Hollywood Hearing Before the Sub
Report From the Front Lines the Drug War in Hollywood Hearing Before the Sub
International Affairs United States Congress House Committee On Gover
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You cannot hand over that fund to management. That is putting a rope around your own neck. That fund has to be guided through some organiza- tion directly to the creative community which will work at a dis- count, which will get the suppliers to the industry to supply at a special price. You will get 99 cents on the dollar. I do not want it to go into the hands of management. I do not want it to go into the pocket of major stars. I want the major star to come in and say maybe he will contribute... something when you ask him to work on a commercial or the infomercial. It has got to be done on a chal- lenge to integrity. You have got to go to this guy and say, "Aren't you worried about this problem? There is now a fund we can make this infomercial. Would you read it? Would you do the thing? Will you do it for Screen Actors Guild minimum?" Mr. SOUDER. See, I am not one who is uniformly against those type of things. I am kind of mixed as is my evidence in support of the V-Chip, which I continue to support, and the problem I have is that the only model we have is the National Endowment for Arts.
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