Representative Essays, Selected From the Series of "prose Masterpieces From the Modern Essayist."

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The difi:erence between the copious work of Clarendon, and the account of the civil wars in the abridgment of Goldsmith, vanishes, when compared with the immense mass of facts, respecting which both are equally silent.
No picture, then, and no history, can present us with the whole truths : but those are the best pictures and the best histories which exhibit such parts of the truth as most nearly produce the effect of the whole. He who is deficient in the art of selection may, by showing nothin
...g but the truth produce all the effect of the grossest falsehood. It perpetually happens that one writer tells less truth than another, merely because he tells more truths. In the imitative arts we constantly see this.
There are lines in the human face, and objects in landscape, which stand in such relations to each other, that they ought either to be all introduced into a painting together, or all omitted together. A sketch into which none of them enters, may be excellent; but if some are given and others left out, though there are more points of likeness, there is less likeness.


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