Rhetorical And Literary Dissertations And Addresses
Rhetorical And Literary Dissertations And Addresses
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2!65 wisdom, and mercy to reign with him." Certes, these effusions are not from the great master, who exclaimed, ** Cave ignoscas I Hsec nee hominis, nee ad hominem, Yox est: Qa^, qui apud te C. Csesar utetur, suam citius abjiciet humanitatem, quam extorquebit tuam ;" and who afterwards flattered the conqueror in such t^rms as these — ^the model no doubt of the French artist, — ^but which he has most successfully copied — " Vidi enim et cognovi quid maxime spectares, cum pro alic^jus salute mul...ti laborarent, causas, apud te rogantiiim graviores esse quam yultus: neque spec- tare te quam tuus esse, necessarius is qui te oraret, sed quam illius pro quo laboraret. Itaque tribuis tu quidem tuis ita mmta, ut mihi beatiores illi esse yideantur interdum, qui tua Uberalitate fruuntur, quam tu ipse, qui illis tam multa concedis. Sed video tamen apud te causas, ut dixi, rogantium valere plus quam preces ; ab iisque te moveri maxime, quarum justifissimum dolorem videas in petendo." — (Fro, Lig,) The Panegyriclcs of Bossuet, or Discourses in Praise of the Virgin, the Apostles, and Saints, are still more offensive to correct taste ; containinff, with much ex- cellent composition, and many displays of a subtle, thouffh perverse ingenuity, an abundance of the most childish ccmceits, and whining exclamations, calculated to sicken and divert, rather than awaken or sustain devotional feelings; while the topics of praise are often such as, to Protestant ears at least, are not only tainted with the grossest absurdity, but the most revolt- ing indelicacy.
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To quickly assess the difficulty of the text, read a short excerpt:
2!65 wisdom, and mercy to reign with him." Certes, these effusions are not from the great master, who exclaimed, ** Cave ignoscas I Hsec nee hominis, nee ad hominem, Yox est: Qa^, qui apud te C. Csesar utetur, suam citius abjiciet humanitatem, quam extorquebit tuam ;" and who afterwards flattered the conqueror in such t^rms as these — ^the model no doubt of the French artist, — ^but which he has most successfully copied — " Vidi enim et cognovi quid maxime spectares, cum pro alic^jus salute mul...ti laborarent, causas, apud te rogantiiim graviores esse quam yultus: neque spec- tare te quam tuus esse, necessarius is qui te oraret, sed quam illius pro quo laboraret. Itaque tribuis tu quidem tuis ita mmta, ut mihi beatiores illi esse yideantur interdum, qui tua Uberalitate fruuntur, quam tu ipse, qui illis tam multa concedis. Sed video tamen apud te causas, ut dixi, rogantium valere plus quam preces ; ab iisque te moveri maxime, quarum justifissimum dolorem videas in petendo." — (Fro, Lig,) The Panegyriclcs of Bossuet, or Discourses in Praise of the Virgin, the Apostles, and Saints, are still more offensive to correct taste ; containinff, with much ex- cellent composition, and many displays of a subtle, thouffh perverse ingenuity, an abundance of the most childish ccmceits, and whining exclamations, calculated to sicken and divert, rather than awaken or sustain devotional feelings; while the topics of praise are often such as, to Protestant ears at least, are not only tainted with the grossest absurdity, but the most revolt- ing indelicacy.
What to read after Rhetorical And Literary Dissertations And Addresses?
You can find similar books in the "Read Also" column, or choose other free books by Brougham And Vaux, Henry Brougham, Baron, 1778-1868 to read onlineMoreLess
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