Richters Manual of Harmony a Practical Guide to Its Study

Cover Richters Manual of Harmony a Practical Guide to Its Study
Richters Manual of Harmony a Practical Guide to Its Study
Ernst Friedrich Eduard Richter
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50c NEn INTRODUCTION.
Of the elementary knowledge for whicli general instruction in inu^ provides, and acquaintance with which must be presupposed at the beginning of the study of harmony, the portion which stands in the nearest relation to it, viz : The Theory of Intervals^ will be treated of prelimina- rily in a brief and condensed manner.
Intervals, The relation in which one tone stands to another, in respect to differeno3 ; //of pitch, is called Interval.
The greatness of the difference is
...directly determined according to the number of the degrees of the staff, upon which the two tones stand, in respect to each other, and, as a rule, in such a manner that the lowest tone is reckoned as standing upon the first degree, and the higher is determined according to the number of diatonic degrees lying between.
Remark. — ^By diatonic degrees is understood the series or progression of tones pre- sented by any major or minor scale.
If we take, for example, g as lower tone, and situated upon the first degree, then the o, being the higher, will come upon the second, the c, higher still, upon the sixth degrtu, -625:: 4; ■\&^ Ig \0 \0 ; ^^ The numbers of the degrees produced thus, will be expressed in the following manner : 1 2 3 4 5 678 «9- TUSIZ ^ ■^' iv- ■** -e*- •6>^ -e^ Unison ov Prime.


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