Rossetti a Critical Essay On His Art
Rossetti a Critical Essay On His Art
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135 ROSSETTI Rossetti, if he is ever to be considered an "accomplished" painter, was so in this period of 1863-1870. His more considerable failures were mostly owing to exaggerations of manner- isms rather than, as before, to want of know- ledge of his limits. And these exaggerations were very much due to his desire to enhance the rendering of one or other of his moods to sentimentalism, in fact. Where he was not trying more hard than was fitting to be raptly mystical, mystically sensual or sen...sually rapt, his actual touch was generally as firm as he had it in him to make it.
His danger was always that in these special moods he might overdo the note. In the pursuit of these things he length- ened limbs and throats ; forgot the pro- portions of arms ; or, intent on accentuating in fingers the dramatic idea of the whole figure, (( passed" hands that were too big for the heads they belonged to. When, on the other hand, he was content to render pure beauty (as apart from its secret or mysticised forms), he was fairly sure of himself.
What to read after Rossetti a Critical Essay On His Art?
You can find similar books in the "Read Also" column, or choose other free books by Joseph Conrad And Fm Hueffer to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
135 ROSSETTI Rossetti, if he is ever to be considered an "accomplished" painter, was so in this period of 1863-1870. His more considerable failures were mostly owing to exaggerations of manner- isms rather than, as before, to want of know- ledge of his limits. And these exaggerations were very much due to his desire to enhance the rendering of one or other of his moods to sentimentalism, in fact. Where he was not trying more hard than was fitting to be raptly mystical, mystically sensual or sen...sually rapt, his actual touch was generally as firm as he had it in him to make it.
His danger was always that in these special moods he might overdo the note. In the pursuit of these things he length- ened limbs and throats ; forgot the pro- portions of arms ; or, intent on accentuating in fingers the dramatic idea of the whole figure, (( passed" hands that were too big for the heads they belonged to. When, on the other hand, he was content to render pure beauty (as apart from its secret or mysticised forms), he was fairly sure of himself.
What to read after Rossetti a Critical Essay On His Art?
You can find similar books in the "Read Also" column, or choose other free books by Joseph Conrad And Fm Hueffer to read onlineMoreLess
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