Rules for Compositors And Readers At the University Press Oxford
Rules for Compositors And Readers At the University Press Oxford
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In our eReader you can find the full English version of the book. Read Rules for Compositors And Readers At the University Press Oxford Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Rules for Compositors And Readers At the University Press Oxford
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To quickly assess the difficulty of the text, read a short excerpt:
)) In passages quoted down the side put an en quad after the « commencing each line.
Only one » is put at the end of two cita- tions ending simultaneously.
88 Rules for setting up APPENDIX III WORKS IN THE GERMAN LANGUAGE^ English compositors called upon to set up German should have clear directions be- forehand as to the founts to be used, whether English or German. If the manuscript is in well-written German script, and the compositor is acquainted with the German characters, he will find lit...tle difficulty in setting this up in German type. It is otherwise if he has to set German in its own characters from manuscript in Roman characters. This is owing principally to the numerous digraphs and the long and short s's used. The following rules will be found of use in both cases : I. Capitals and lozvei'-case. — All German substantives are written with capital initial letters ; and capital letters are also used for adjectives in geographical designations, e. G. Tag ^afpif^e SKcev (the Caspian Sea), or in adjectives derived from proper names, e.
What to read after Rules for Compositors And Readers At the University Press Oxford?
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To quickly assess the difficulty of the text, read a short excerpt:
)) In passages quoted down the side put an en quad after the « commencing each line.
Only one » is put at the end of two cita- tions ending simultaneously.
88 Rules for setting up APPENDIX III WORKS IN THE GERMAN LANGUAGE^ English compositors called upon to set up German should have clear directions be- forehand as to the founts to be used, whether English or German. If the manuscript is in well-written German script, and the compositor is acquainted with the German characters, he will find lit...tle difficulty in setting this up in German type. It is otherwise if he has to set German in its own characters from manuscript in Roman characters. This is owing principally to the numerous digraphs and the long and short s's used. The following rules will be found of use in both cases : I. Capitals and lozvei'-case. — All German substantives are written with capital initial letters ; and capital letters are also used for adjectives in geographical designations, e. G. Tag ^afpif^e SKcev (the Caspian Sea), or in adjectives derived from proper names, e.
What to read after Rules for Compositors And Readers At the University Press Oxford?
You can find similar books in the "Read Also" column, or choose other free books by Oxford University Press to read onlineMoreLess
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