Ruskin's Works 11
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In our eReader you can find the full English version of the book. Read Ruskin's Works 11 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Ruskin's Works 11
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Count the scale thus obtained. You begin at the bottom with a tint of russet not reaching black ; you relieve this distinctly against a lighter rus- set, you relieve that strongly against a pale warm grey, you relieve that against the brightest white you can paint. Then the sky-blue is to be clearly lighter than the pale warm grey, and yet as clearly darker than the white.
Any landscape artist will tell you that this opposition can- not be had in painting with its natural force ; — and that in ...all pictorial use of the effect, either the dark side must be exag- gerated in depth, or the relief of the blue from it sacrificed.
But, though I began the study of such gradation just half a century ago, carrying my " cyanometer " as I called it — (a sheet of paper gradated from deepest blue to white), with me always through a summer's journey on the Continent in 1835, APPENDIX. 113 I never till yesterday felt the full difficulty of explaining the enormous power of contrast which the real light possesses in its most delicate tints.
What to read after Ruskin's Works 11?
You can find similar books in the "Read Also" column, or choose other free books by Ruskin, John, 1819-1900 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Count the scale thus obtained. You begin at the bottom with a tint of russet not reaching black ; you relieve this distinctly against a lighter rus- set, you relieve that strongly against a pale warm grey, you relieve that against the brightest white you can paint. Then the sky-blue is to be clearly lighter than the pale warm grey, and yet as clearly darker than the white.
Any landscape artist will tell you that this opposition can- not be had in painting with its natural force ; — and that in ...all pictorial use of the effect, either the dark side must be exag- gerated in depth, or the relief of the blue from it sacrificed.
But, though I began the study of such gradation just half a century ago, carrying my " cyanometer " as I called it — (a sheet of paper gradated from deepest blue to white), with me always through a summer's journey on the Continent in 1835, APPENDIX. 113 I never till yesterday felt the full difficulty of explaining the enormous power of contrast which the real light possesses in its most delicate tints.
What to read after Ruskin's Works 11?
You can find similar books in the "Read Also" column, or choose other free books by Ruskin, John, 1819-1900 to read onlineMoreLess
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