Salinger

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To qualify it for Academy Award consideration, the picture had been shown on screens in New York and Los Angeles during late December 1949, and was being released nationwide.
    During the entire creative process that resulted in a finished picture, Salinger had no input whatsoever. Goldwyn’s creative team took his story and turned it into a picture that ended up having almost nothing to do with the original short story on which it was based. That creative team was headed by Goldwyn himself, th
...e legendary independent producer who went on to have his own studio. Goldwyn had bought the rights to “Uncle Wiggily” at the suggestion of Julius and Philip Epstein, the team (they were twins) who had written the screenplays for, among other pictures, Mr. Skeffington and Casablanca. Once the Epsteins had finished the script for My Foolish Heart, Goldwyn hired Edith Head to design the picture’s wardrobe, and Mark Robson, then known for Home of the Brave, to direct a cast that would include Susan Hayward, whom Goldwyn got on loan from Universal, and Dana Andrews, whom he had used in previous pictures.

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