Scientific Basis of Music
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In our eReader you can find the full English version of the book. Read Scientific Basis of Music Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Scientific Basis of Music
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d 5 w ^=^ * Deschanel's " Natural Philosophy," p. 862.
SUMMATIONAL TONES.
47 79. The summational tones are weaker, and by their nature always higher than their generators. The following is the series for the simple interval : — Major Major Minor Minor Octave Fifth Fourth sixth third third sixth I JliJ-^-t ^ w ?5= P In the last two cases the summation note is intermediate between those given. Many of them are very inharmonic to their generators. Fortunately they are very weak, and only dis- tinc...t on the siren.
80. Difference tones were formerly thought to be subjective, and produced in the ear itself, and were supposed to result from the coalescence of beats. This explanation, however, does not account for summation tones ; and, moreover, the objective exist- ence of such sounds may be proved by consonant membranes or resonators. In some cases beats and difference tones can both be heard simultaneously. Beats may occur between resultant tones.
Differentials and Upper Partials of Intervals.* I Octave 2 : I ^4 Fifth 3 : 2 # Fourth Major third 4:3 5:4 i g i IE X V ~g?
What to read after Scientific Basis of Music?
You can find similar books in the "Read Also" column, or choose other free books by W H Stone to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
d 5 w ^=^ * Deschanel's " Natural Philosophy," p. 862.
SUMMATIONAL TONES.
47 79. The summational tones are weaker, and by their nature always higher than their generators. The following is the series for the simple interval : — Major Major Minor Minor Octave Fifth Fourth sixth third third sixth I JliJ-^-t ^ w ?5= P In the last two cases the summation note is intermediate between those given. Many of them are very inharmonic to their generators. Fortunately they are very weak, and only dis- tinc...t on the siren.
80. Difference tones were formerly thought to be subjective, and produced in the ear itself, and were supposed to result from the coalescence of beats. This explanation, however, does not account for summation tones ; and, moreover, the objective exist- ence of such sounds may be proved by consonant membranes or resonators. In some cases beats and difference tones can both be heard simultaneously. Beats may occur between resultant tones.
Differentials and Upper Partials of Intervals.* I Octave 2 : I ^4 Fifth 3 : 2 # Fourth Major third 4:3 5:4 i g i IE X V ~g?
What to read after Scientific Basis of Music?
You can find similar books in the "Read Also" column, or choose other free books by W H Stone to read onlineMoreLess
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