Secrets of Scene Painting And Stage Effects
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In our eReader you can find the full English version of the book. Read Secrets of Scene Painting And Stage Effects Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Secrets of Scene Painting And Stage Effects
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It is necessary to be careful about the quantity of size, because if too little is used the paint that is afterwards put on the canvas will come off w^ien it is rubbed ; thus, if a back cloth is painted and rolled up, the labour will be wasted.
BRUSHES When the ' priming ' has been made the canvas is spread out and the painter is ready to begin the first part of the work.
This is a convenient point at which to describe the brushes required by the scenic artist. He should provide himself with th...e ordinary painter's sash tools, and it is as well to have them in ali sizes, from No. 1 to No. 12. The latter is about an inch and a half across. The brushes are not per- fectly round. It is also as well to have a brush with a long handle for use when painting foliage.
14 SECRETS OF SCENE PAINTING The 'priming' is applied with yvhat is technically known as a ' double-tie ' brush ; it is merely an ordinary whitewash brush. A brush of a similar for T~'nnurq In.
Ground 'Brushes for puHmcf in PtackqrcMcL Uiorh to C/uildina^ Hcq hair 3rasfie5 ■ for fictftinq rti lucrh' or} a Froadjcale- Ni«> 1 Process AND STAGE EFFECTS 15 kind but half the width — known as a 'single-tie' brush — is also needed for painting tree trunks and other large surfaces.
What to read after Secrets of Scene Painting And Stage Effects?
You can find similar books in the "Read Also" column, or choose other free books by Van Dyke Browne to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
It is necessary to be careful about the quantity of size, because if too little is used the paint that is afterwards put on the canvas will come off w^ien it is rubbed ; thus, if a back cloth is painted and rolled up, the labour will be wasted.
BRUSHES When the ' priming ' has been made the canvas is spread out and the painter is ready to begin the first part of the work.
This is a convenient point at which to describe the brushes required by the scenic artist. He should provide himself with th...e ordinary painter's sash tools, and it is as well to have them in ali sizes, from No. 1 to No. 12. The latter is about an inch and a half across. The brushes are not per- fectly round. It is also as well to have a brush with a long handle for use when painting foliage.
14 SECRETS OF SCENE PAINTING The 'priming' is applied with yvhat is technically known as a ' double-tie ' brush ; it is merely an ordinary whitewash brush. A brush of a similar for T~'nnurq In.
Ground 'Brushes for puHmcf in PtackqrcMcL Uiorh to C/uildina^ Hcq hair 3rasfie5 ■ for fictftinq rti lucrh' or} a Froadjcale- Ni«> 1 Process AND STAGE EFFECTS 15 kind but half the width — known as a 'single-tie' brush — is also needed for painting tree trunks and other large surfaces.
What to read after Secrets of Scene Painting And Stage Effects?
You can find similar books in the "Read Also" column, or choose other free books by Van Dyke Browne to read onlineMoreLess
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