Shakespearean Representation; Its Laws And Limits
Shakespearean Representation; Its Laws And Limits
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In our eReader you can find the full English version of the book. Read Shakespearean Representation; Its Laws And Limits Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Shakespearean Representation; Its Laws And Limits
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This brings us to the outcast Lear, and to his sufferings from the pitiless elements : * Blow, wind, and crack your cheeks.' The bard himself seems to plan this storm with wonderful intensity and significance. Difficult as it is to arrange, I have no doubt it could be made to rage with infinitely more effect than has been hitherto attempted. The thing would seem to be to convey the effect of a terrible storm on those who were caught in it rather than the storm itself. There is art in spreading ...it over the two scenes — ' The Heath * and ' On the other part of the Heath' — ^which gives an idea of vastness and spreading power, the covering of a large tract of ground.
At the end of Act II. it all begins : 'Alack, the night comes on, and the bleak winds Do sorely rumc.* And news arrives that the old man had gone from shelter.
Here there should be a growing, lowering darkness, and fiair in Shakespearean * Business^ 107 the distance be heard the mutterings of the coming tempest.
The performers should look forth with alarm and shivering, and hurry away, as if for shelter.
What to read after Shakespearean Representation; Its Laws And Limits?
You can find similar books in the "Read Also" column, or choose other free books by Percy Hetherington Fitzgerald to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
This brings us to the outcast Lear, and to his sufferings from the pitiless elements : * Blow, wind, and crack your cheeks.' The bard himself seems to plan this storm with wonderful intensity and significance. Difficult as it is to arrange, I have no doubt it could be made to rage with infinitely more effect than has been hitherto attempted. The thing would seem to be to convey the effect of a terrible storm on those who were caught in it rather than the storm itself. There is art in spreading ...it over the two scenes — ' The Heath * and ' On the other part of the Heath' — ^which gives an idea of vastness and spreading power, the covering of a large tract of ground.
At the end of Act II. it all begins : 'Alack, the night comes on, and the bleak winds Do sorely rumc.* And news arrives that the old man had gone from shelter.
Here there should be a growing, lowering darkness, and fiair in Shakespearean * Business^ 107 the distance be heard the mutterings of the coming tempest.
The performers should look forth with alarm and shivering, and hurry away, as if for shelter.
What to read after Shakespearean Representation; Its Laws And Limits?
You can find similar books in the "Read Also" column, or choose other free books by Percy Hetherington Fitzgerald to read onlineMoreLess
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