Short Stories in the Making; a Writers' And Students' Introduction to the Technique And Practical Composition of Short Stories, Including An Adaptation of the Principles of the Stage Plot to Short Story Writing
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In our eReader you can find the full English version of the book. Read Short Stories in the Making; a Writers' And Students' Introduction to the Technique And Practical Composition of Short Stories, Including An Adaptation of the Principles of the Stage Plot to Short Story Writing Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Short Stories in the Making; a Writers' And Students' Introduction to the Technique And Practical Composition of Short Stories, Including An Adaptation of the Principles of the Stage Plot to Short Story Writing
What reading level is Short Stories in the Making; a Writers' And Students' Introduction to the Technique And Practical Composition of Short Stories, Including An Adaptation of the Principles of the Stage Plot to Short Story Writing book?
To quickly assess the difficulty of the text, read a short excerpt:
Fourth, only the most impressive manifestation of a trait should he presented. Guarding always against sensation- alism, the author should as far as possible present the most vivid, striking, and impressive deeds and speeches whereby the person manifests his character.
8. Fifth, although the various elements of the person's character ought to he enough suggested to prevent a sense of distortion, yet this part of the portrayal should he re- stricted as much as is consistent with just perspective....
Finally (and this comes near to summarizing the whole matter) , the person should always he shown in some activ- ity that directly furthers the plot-action, in preference to that which will leave the plot unadvancedj hut all that he does should, while advancing the plot-action, also reveal or explain his own character.* 9. The principles here stated are equally applicable in the case of less important persons, so long as the im- portance of these persons is kept subordinate to that of the leading actor.
What to read after Short Stories in the Making; a Writers' And Students' Introduction to the Technique And Practical Composition of Short Stories, Including An Adaptation of the Principles of the Stage Plot to Short Story Writing?
You can find similar books in the "Read Also" column, or choose other free books by Robert Wilson Neal to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Fourth, only the most impressive manifestation of a trait should he presented. Guarding always against sensation- alism, the author should as far as possible present the most vivid, striking, and impressive deeds and speeches whereby the person manifests his character.
8. Fifth, although the various elements of the person's character ought to he enough suggested to prevent a sense of distortion, yet this part of the portrayal should he re- stricted as much as is consistent with just perspective....
Finally (and this comes near to summarizing the whole matter) , the person should always he shown in some activ- ity that directly furthers the plot-action, in preference to that which will leave the plot unadvancedj hut all that he does should, while advancing the plot-action, also reveal or explain his own character.* 9. The principles here stated are equally applicable in the case of less important persons, so long as the im- portance of these persons is kept subordinate to that of the leading actor.
What to read after Short Stories in the Making; a Writers' And Students' Introduction to the Technique And Practical Composition of Short Stories, Including An Adaptation of the Principles of the Stage Plot to Short Story Writing?
You can find similar books in the "Read Also" column, or choose other free books by Robert Wilson Neal to read onlineMoreLess
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