Sir Charles V. Stanford, Mus. Doc., M. A. D. C. L., With a Portrait of Sir Chas. Stanford And Musical Illustrations in the Text
The book Sir Charles V. Stanford, Mus. Doc., M. A. D. C. L., With a Portrait of Sir Chas. Stanford And Musical Illustrations in the Text was written by author John Fielder Porte Here you can read free online of Sir Charles V. Stanford, Mus. Doc., M. A. D. C. L., With a Portrait of Sir Chas. Stanford And Musical Illustrations in the Text book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Sir Charles V. Stanford, Mus. Doc., M. A. D. C. L., With a Portrait of Sir Chas. Stanford And Musical Illustrations in the Text a good or bad book?
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It presents consider- able technical difficulties to the soloist, but is also musically interesting. The Concerto opens with a Lento (G minor) intro- duction, in which the solo instrument has the chief claim on the listener's attention, with nothing higher than a display of virtuosity. After this the Down Among the Dead Men theme is announced by the orchestra, Allegro vivace. The theme is quaintly grim, braggarty, and very pronounced in rhythm : — Opus 71 67 A//&/-/ » J ' zaz AW j 1 (^ g^^^rg t...? m* *- m Variation 1 is rather brilliant in the solo part. Variation 2 is larger, and has a certain jerkiness. Variation 3 is notable for its fine pianoforte legato passages. Variation 4 — Presto, 3-4 time, moves very swiftly, although the theme is prominent and boldly outlined. Variation 5 (C major) has effective sequences of chords of the sixth, for the pianoforte. Variation 6 is clear and strong. Variation 7 — Intermezzo, is rather charming, but the grimness of the theme prevents this effect being carried too far.
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