Speech in Song : Being the Singer's Pronouncing Primer of the Principal European Languages for Which Vocal Music is Usually Composed
The book Speech in Song : Being the Singer's Pronouncing Primer of the Principal European Languages for Which Vocal Music is Usually Composed was written by author Alexander John Ellis Here you can read free online of Speech in Song : Being the Singer's Pronouncing Primer of the Principal European Languages for Which Vocal Music is Usually Composed book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Speech in Song : Being the Singer's Pronouncing Primer of the Principal European Languages for Which Vocal Music is Usually Composed a good or bad book?
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" Had the book been merely reprinted we are convinced that every lover of Mozart'a works would have possessed himself of so faithful a record of the composer's career; but the judiciorj editing of Mr. Prout has invested it with an interest which cannot fail to materially increase its popularity." — Musical Times. In Two Volumes, Imperial Octavo, cloth, 21&. THE GENERAL HISTORY OF The Science & Practice of Music By sir JOHN HAWKINS. Supplementary Volume of Medallion Portraits (printed from the O...riginal Plates), 168. Crown Octavo, price is, THE STORY OF MOZART'S REQUIEM Carefully compiled from the best and most authentic sources, By WM. pole, F.R.S., Mus. Doc. This immortal work, independently of its value as a musical composition, has great interest on account of its very remarkable history. The mysterious commission given for it, the super- natural impression made by this on Mozart, his composition of the work under such pathetic circumstances, partly on his death-bed, the difficulties as to its publication, the fierce con- troversy as to its authorship, which for fourteen years engaged the attention of some of the most learned men and profound musicians of Europe, the extraordinary disappearance and long concealment of the manuscripts, their ultimate discovery, the difficult and perplexing questions as to their genuineness, the strange revelations gradually made as to the secret history ofthe various transactions, and the doubts which, after all possible information has been obtained, ■till hang over the authorship of some parts of the work ; all these things, spread over seventy or eighty years, form a story of unparalleled interest in the annals of music.
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