Studies in European Literature, Being the Taylorian Lectures 1889-1899, Delivered By S. Mallarmé, W. Pater, E. Dowden, W. M. Rossetti, F. W. Rolleston, A. Morel-Fatio, H. Brown, P. Bourget, C. H. Herford, H. Butler Clarke, W. P. Ker
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Au vers impersonnel ou pur s'adaptera I'in- stinct qui d^gage, du monde, un chant, pour en illuminer le rythme fondamental et rejette, vain, le r6sidu. P. 133, § 4. . . . Serait d'emploi intermittent. Je ne blame, ne d6daigne les periodes d'6clipse oil I'art, instructif , a ceci que I'usure divulgue les pieuses manies de sa trame. P. 136, § 7. . , . En vue qu'une attirance sup6rieure . . . Pyrotecbnique non moins que metaphysique, ce point de vue ; mais un" feu d'artifice, k la hauteur et a I'e...xemple de la pens6e, epanouit la rejouissance ideale. P. 139, § 4. . . . Bequiert la lucidity, du livre explicatif et famUier. La v6rite si on s'ingenie aux traces, ordonne Industrie aboutissant a Finance, comme Musique k Lettres, pour circonscrire xm domaine de Fiction, parfait terme compr6hensif. La Musique sans les Lettres se pr^sente comme trfes subtil nuage : seules, elles, une monnaie si courante. L, 3 148 NOTES II convenait de ne pas disjoindre davantage. Le titre, propose a Tissue d'une causerie, jadis, devant le messager oxonien, indiqua Music and Letters, moitie de sujet, intacte: sa contre-partie sociale omise.
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