Studies in Musical Graces
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In our eReader you can find the full English version of the book. Read Studies in Musical Graces Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Studies in Musical Graces
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To quickly assess the difficulty of the text, read a short excerpt:
(The starting sound. ) 71 28. Ex. 29 is another cadential shake which harmonic considera- tions require to be executed in the manner set forth The shake stops immediately before the dot to avoid the consecutive 51^5 which would otherwise ensue. The sound which follows the shake is abbreviated, not only because of the variable value of the dot in such a position, but also to prevent the harshness that would be caused by the sounding of the 7th as a bichord.
Ex. 29.
Bach. D. W. K. Bk. II. Fugue 1...9.
29. We ma}^ now turn to the employment of the shake in modern music. In the method of indication and the pitch of the auxiliary sound, it follows the rules alread}^ given in connexion with the older trill. The modern shake usually continues during the whole value of the written note and, in contradistinction to the older practice, commences upon the principal sound. At the period of transition between the older and newer methods and before the absolute establishment of the latter, composers sometimes prefixed to the shake-no/e a small note resembling the acciaccatura, in order to ensure t^e correct performance of the ornament.
What to read after Studies in Musical Graces?
You can find similar books in the "Read Also" column, or choose other free books by Ernest Fowles to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
(The starting sound. ) 71 28. Ex. 29 is another cadential shake which harmonic considera- tions require to be executed in the manner set forth The shake stops immediately before the dot to avoid the consecutive 51^5 which would otherwise ensue. The sound which follows the shake is abbreviated, not only because of the variable value of the dot in such a position, but also to prevent the harshness that would be caused by the sounding of the 7th as a bichord.
Ex. 29.
Bach. D. W. K. Bk. II. Fugue 1...9.
29. We ma}^ now turn to the employment of the shake in modern music. In the method of indication and the pitch of the auxiliary sound, it follows the rules alread}^ given in connexion with the older trill. The modern shake usually continues during the whole value of the written note and, in contradistinction to the older practice, commences upon the principal sound. At the period of transition between the older and newer methods and before the absolute establishment of the latter, composers sometimes prefixed to the shake-no/e a small note resembling the acciaccatura, in order to ensure t^e correct performance of the ornament.
What to read after Studies in Musical Graces?
You can find similar books in the "Read Also" column, or choose other free books by Ernest Fowles to read onlineMoreLess
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