Studies of the Eighteenth Century in Italy
Studies of the Eighteenth Century in Italy
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In our eReader you can find the full English version of the book. Read Studies of the Eighteenth Century in Italy Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Studies of the Eighteenth Century in Italy
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Anthony all who came had of course to pay ; but the Republic had its own permanent music at Padua.
It spent large sums on the musical establishment of its great, half Gothic, half Byzantine basilica of St. Anthony; it kept up a large band, composed of first-rate performers, and for only four annual performances it gave 400 ducats and the cross of St. Mark, the only decoration the 9(j The Musical Life.
State possessed, and with which it was wont to reward Ambassadors and Proccuratori, to Signor ...Gaetano Guadagni, one of the finest singers, and the handsomest and most brilliant actor, in Italy, the favourite pupil of Garriok, the famous original Orpheus of Gluck. Guadagni was in no wise tied down by this liberality, and belonged, in the intervals of the four performances, to the rest of the world quite as much as to St.
Anthony's ; but Padua was the sole possessor, and almost the shrine, of a greater and more famous musician than he. Tartini lived there during well-nigh half-a-century, playing regularly at the Santo, and when Barney arrived there, a few months after his death, the silent city was full of the fame of the great violinist, whose dark, puzzled genius and fantastic story fitted well into the framework of the strange mediceval town.
What to read after Studies of the Eighteenth Century in Italy?
You can find similar books in the "Read Also" column, or choose other free books by Lee, Vernon, 1856-1935 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Anthony all who came had of course to pay ; but the Republic had its own permanent music at Padua.
It spent large sums on the musical establishment of its great, half Gothic, half Byzantine basilica of St. Anthony; it kept up a large band, composed of first-rate performers, and for only four annual performances it gave 400 ducats and the cross of St. Mark, the only decoration the 9(j The Musical Life.
State possessed, and with which it was wont to reward Ambassadors and Proccuratori, to Signor ...Gaetano Guadagni, one of the finest singers, and the handsomest and most brilliant actor, in Italy, the favourite pupil of Garriok, the famous original Orpheus of Gluck. Guadagni was in no wise tied down by this liberality, and belonged, in the intervals of the four performances, to the rest of the world quite as much as to St.
Anthony's ; but Padua was the sole possessor, and almost the shrine, of a greater and more famous musician than he. Tartini lived there during well-nigh half-a-century, playing regularly at the Santo, and when Barney arrived there, a few months after his death, the silent city was full of the fame of the great violinist, whose dark, puzzled genius and fantastic story fitted well into the framework of the strange mediceval town.
What to read after Studies of the Eighteenth Century in Italy?
You can find similar books in the "Read Also" column, or choose other free books by Lee, Vernon, 1856-1935 to read onlineMoreLess
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