Symphonies And Their Meaning
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Various definitions are given which do not even suggest the same idea. One from an intense Romanticist of that day — ^Novalis, the poet-philosopher — a very mild description, is the art of surprising in a pleasing manner. If we think of men who shared the spirit (and of others who lacked it), we shall stumble upon a foothold. A pioneer in this field, who was then thought far more important than Schubert, was Weber. From him we have a clearer idea of the reaction. But, 184 SYMPHONIES AND THEIR M...EANING first of all, we must not confine Romanticism to any one period. There is nothing fixed in time or space about this pair of correla- tiveSj^Classic and Romantic. We must re- member that Mozart was once Romantic, and Mendelssohn is generally thought Classic. Yet the term has so striking a significance at the beginning of this century, the contrast between Schubert and Weber and their predecessors was so great that the former will probably be for all time typical Romanticists.
There is a curiously ponderous sort of analysis by Philipp Spitta of the Romantic in Opera, in four ingredient elements, — the imaginative, the national, the comic, and the realistic.
What to read after Symphonies And Their Meaning?
You can find similar books in the "Read Also" column, or choose other free books by Philip H Philip Henry Goepp to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Various definitions are given which do not even suggest the same idea. One from an intense Romanticist of that day — ^Novalis, the poet-philosopher — a very mild description, is the art of surprising in a pleasing manner. If we think of men who shared the spirit (and of others who lacked it), we shall stumble upon a foothold. A pioneer in this field, who was then thought far more important than Schubert, was Weber. From him we have a clearer idea of the reaction. But, 184 SYMPHONIES AND THEIR M...EANING first of all, we must not confine Romanticism to any one period. There is nothing fixed in time or space about this pair of correla- tiveSj^Classic and Romantic. We must re- member that Mozart was once Romantic, and Mendelssohn is generally thought Classic. Yet the term has so striking a significance at the beginning of this century, the contrast between Schubert and Weber and their predecessors was so great that the former will probably be for all time typical Romanticists.
There is a curiously ponderous sort of analysis by Philipp Spitta of the Romantic in Opera, in four ingredient elements, — the imaginative, the national, the comic, and the realistic.
What to read after Symphonies And Their Meaning?
You can find similar books in the "Read Also" column, or choose other free books by Philip H Philip Henry Goepp to read onlineMoreLess
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