Technique of Some South American Feather-Work 1, pt. 1
Technique of Some South American Feather-Work 1, pt. 1
Mead, Charles Williams, 1845-1928
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The fly that gave him the ceremony was a mosquito. It directed him to institute the dance, and showed him how it should be conducted. Fig. 32 shows a small mountain-goat horn, painted over red, used in this dance as one of the implements for pricking or scratching. Fig. 33 (60-1936 a). Fly-dance Hoop. Diameter, 8 cm. 1908.] Kroeber, Ethnology of the Gro8 Ventre. 241 Fig. 33 shows one of the small quill-wrapped hoops carried on a stick in the fly-dance. It is about three inches across, and lacks... the feathers once attached to it. The hoop is not continuous, but consists of four slightly curved sticks. Each of these is wound with yellow quills, and in the middle with black (really dark-brown) fibres. The quill-wrapping encloses a sinew strand, w^hich passes from one stick to the other, holding them together into a flexible, somewhat four-cornered hoop. At each of the four dark marks an eagle-plume was formerly attached, and in addition an eagle-feather (specimen Museum No. 50- 1936b) was hung from the hoop.
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