Ten Frenchmen of the Nineteenth Century
Ten Frenchmen of the Nineteenth Century
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Leading novels: "Louis Lambert/ ' 1832; "Eugenie Grandet," 1833; "Pere Goriot," 1834; "Seraphita," 1835; "The Lily in the Valley," 1835; "Cesar Birotteau, ,, 1837; "Ursule Mirouet," 1841; "Cousin Pons," 1847.] French realism in the literature of the nineteenth cen- tury differs from English realism in at least one essential particular, the amount of moral fiber in its heroes and heroines. While the realistic writers of both nations agree in presenting life such as they see it around them, with ...its trials and changes, the English author balances the evil of that life with the good. The French author, as a rule, does not. The reason for this striking diver- gence is not far to seek. The English novelists were not guided by a preconceived theory. The French were. As the French are at bottom a logical people, and demand conclusions which proceed strictly from accepted prem- ises, so in their literature they wish consistency in argu- ment. Now, the argument of realism is fidelity to facts, facts separated from everything which is imaginative or immaterial, absolute, scientific facts.
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You can find similar books in the "Read Also" column, or choose other free books by F M Frederick Morris Warren to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Leading novels: "Louis Lambert/ ' 1832; "Eugenie Grandet," 1833; "Pere Goriot," 1834; "Seraphita," 1835; "The Lily in the Valley," 1835; "Cesar Birotteau, ,, 1837; "Ursule Mirouet," 1841; "Cousin Pons," 1847.] French realism in the literature of the nineteenth cen- tury differs from English realism in at least one essential particular, the amount of moral fiber in its heroes and heroines. While the realistic writers of both nations agree in presenting life such as they see it around them, with ...its trials and changes, the English author balances the evil of that life with the good. The French author, as a rule, does not. The reason for this striking diver- gence is not far to seek. The English novelists were not guided by a preconceived theory. The French were. As the French are at bottom a logical people, and demand conclusions which proceed strictly from accepted prem- ises, so in their literature they wish consistency in argu- ment. Now, the argument of realism is fidelity to facts, facts separated from everything which is imaginative or immaterial, absolute, scientific facts.
What to read after Ten Frenchmen of the Nineteenth Century?
You can find similar books in the "Read Also" column, or choose other free books by F M Frederick Morris Warren to read onlineMoreLess
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