The American Review : a Whig Journal of Politics, Literature, Art, And Science 12

Cover The American Review : a Whig Journal of Politics, Literature, Art, And Science 12
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They cannot help feeling interested in them, but they have little in common. His creationsseera to possess too much of the abstractly phi- losophic — too little of the every day real.
These objections are not so much urged against the Caxtons, as they were against his earli. r works, Eugene Aram, and De- vereux, and Ernest Maltravers.
Not to deny thut Bulwer sometimes acts the hierophant only to the initiated, it may be obseived that in ciit.cism, the distinc- tion between the True and Real sho
...uld ever be faithfully noticed — although in fact it rarely is. To illustrate the import- ance of this distinction by referring again to technical Art, the greatest of painters have painted Truth ; the most common place. Reality. In the execution of the latter there is meiit, but little genius, and no exercise of the conceptive faculty. Ra- phael best pleases those whose eyes are open- ed to Beauty and Truth by educated intel- lect and feeling. Teniers suits the boors of a market town, who applaud painted tu nips and tobacco pipes in proportion as they are like the real ones.

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