The Appreciation of Music volume 3

Cover The Appreciation of Music volume 3
The Appreciation of Music volume 3
Daniel Gregory Mason
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This want of balance between the essential and the accessory is certainly a characteristic of his music. Some of his songs and their accompaniments remind me of those sixteenth-century portraits in which some slim, colourless, but distinguished Infanta is gowned in a robe of brocade rich enough to stand by itself, without the negative aid of the wearer. " III. The Young Prince and the Young Princess This charming lyrical movement opens with a daintily graceful theme in G major, given to the vio...lins, doubtless suggesting the Princess. The sweeping runs for clarinet, and later for flute, with which it is decorated (bottom of page 35, and following) illustrate once more the composer's Eastern fancy for 45 4 6 Studies of Great Masterpieces rich ornament. A more vigorously rhythmed contrasting theme (Pochissimo piu mosso, page 38), accompanied by the exciting rattle of the snare-drum, introduces the Prince. The first theme returns on page 41 ; and after the Narrator, Scheherazade, has for a moment claimed our attention (page 42), the rest of the movement is given to an extended coda on both themes.

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