The Art of Drawing On Stone Giving a Full Explanation of the Various Styles of

Cover The Art of Drawing On Stone Giving a Full Explanation of the Various Styles of
The Art of Drawing On Stone Giving a Full Explanation of the Various Styles of
Charles Joseph Hullmandel
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Those parts which are intended to remain of the' degree of intensity just formed, must nov/ be covered with stopping liquid (8. 5, 86), and another tint laid on with the dabber; the next tints again stopped out, another tint of dabbing applied, and so on until the whole drawing be wrought up to the required intensity. Plate 10 and plate 9, fig. 1, are executed in this manner.
94. I would, however, never recommend the dabbing to DRAWING ON STONE. ^7 be laid on darker than the middle tints, and m
...erely to consider it as a very convenient method for executing skies, and other light tints, as well as for laying in a broad, but faint effect of the subject; it acts as a ground work to all the tints which are to be laid on afterwards with chalk, and serves to give richness to the drawing. Dabbing, when wrought too dark, hinders, from its greasy nature, any subsequent application of chalk, and is apt to print smutty.
95. Dabbing, properly applied, is very convenient for producing the flat tints in shading of machinery, and for the flat tints in sections of architectural and geological subjects; see plate 10.


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