The Art of Modelling in Clay And Wax; Arranged As a Course of Instruction Preparatory to the Examinations of the Department of Science And Art; With Numerous Illustrations By the Author
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In our eReader you can find the full English version of the book. Read The Art of Modelling in Clay And Wax; Arranged As a Course of Instruction Preparatory to the Examinations of the Department of Science And Art; With Numerous Illustrations By the Author Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Art of Modelling in Clay And Wax; Arranged As a Course of Instruction Preparatory to the Examinations of the Department of Science And Art; With Numerous Illustrations By the Author
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To quickly assess the difficulty of the text, read a short excerpt:
Before beginning to model, slightly damp the slate. Hang the cast by the side of, and level with the drawing, as in the last exercise.
Take up small pieces of clay, and build up the central part, which is the portion most in relief. Follow on with the lobes of the rosette, noticing that they are not much raised above the background in the lower parts of them, not more than about \ of an inch. Towards the outside, that is at the boundary circle, they rise to a considerable height, but still not ...so high as the central point of the figure by perhaps a quarter of an inch. Build up the clay to describe these forms, using the fingers, and more especially the thumb. It must not be forgotten to well press down the clay, and to keep it perfectly solid. Notice the concave form of the surfaces forming the lobes, and keep the boundary lines between them straight, and pointing truly to the centre of the figure. As experience is gained it will be found that more and more can be described by the drawing with the thumb, and that the clay much more readily assumes the desired form.
What to read after The Art of Modelling in Clay And Wax; Arranged As a Course of Instruction Preparatory to the Examinations of the Department of Science And Art; With Numerous Illustrations By the Author?
You can find similar books in the "Read Also" column, or choose other free books by Thomas C. Simonds to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Before beginning to model, slightly damp the slate. Hang the cast by the side of, and level with the drawing, as in the last exercise.
Take up small pieces of clay, and build up the central part, which is the portion most in relief. Follow on with the lobes of the rosette, noticing that they are not much raised above the background in the lower parts of them, not more than about \ of an inch. Towards the outside, that is at the boundary circle, they rise to a considerable height, but still not ...so high as the central point of the figure by perhaps a quarter of an inch. Build up the clay to describe these forms, using the fingers, and more especially the thumb. It must not be forgotten to well press down the clay, and to keep it perfectly solid. Notice the concave form of the surfaces forming the lobes, and keep the boundary lines between them straight, and pointing truly to the centre of the figure. As experience is gained it will be found that more and more can be described by the drawing with the thumb, and that the clay much more readily assumes the desired form.
What to read after The Art of Modelling in Clay And Wax; Arranged As a Course of Instruction Preparatory to the Examinations of the Department of Science And Art; With Numerous Illustrations By the Author?
You can find similar books in the "Read Also" column, or choose other free books by Thomas C. Simonds to read onlineMoreLess
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