The Art of Retouching
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In our eReader you can find the full English version of the book. Read The Art of Retouching Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Art of Retouching
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To quickly assess the difficulty of the text, read a short excerpt:
The upper lash is a striking feature upon which much of the character of the eye depends, while the lower lash does not in any way contribute to the marking of the eye.
Two common errors with beginners must be particularly guarded against, that of marking the eyelash too strongly and that of obliterating them completely, making the eye look as if it had been singed. The upper edge of the lash must be softened into the lid, and the lower edge must melt imperceptibly into the shadows which it cas...ts upon the orb beneath it. Under the outward extremity of the lash, the thickness of the lid is perceptible ; this must be represented as it is seen, that is, distinct from the lash and tender in tone. The form assumed by the pupil of the eye is of course governed by the relative position of the head round in full face portraits and oval in profile, intermediate forms with half profile, three- quarter face, 'etc. These positions in turn, con- trol the lighting of the eye.
The following remarks will treat different points FACE, HANDS, DRAPERY, ETC.
What to read after The Art of Retouching?
You can find similar books in the "Read Also" column, or choose other free books by J P Ourdan to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The upper lash is a striking feature upon which much of the character of the eye depends, while the lower lash does not in any way contribute to the marking of the eye.
Two common errors with beginners must be particularly guarded against, that of marking the eyelash too strongly and that of obliterating them completely, making the eye look as if it had been singed. The upper edge of the lash must be softened into the lid, and the lower edge must melt imperceptibly into the shadows which it cas...ts upon the orb beneath it. Under the outward extremity of the lash, the thickness of the lid is perceptible ; this must be represented as it is seen, that is, distinct from the lash and tender in tone. The form assumed by the pupil of the eye is of course governed by the relative position of the head round in full face portraits and oval in profile, intermediate forms with half profile, three- quarter face, 'etc. These positions in turn, con- trol the lighting of the eye.
The following remarks will treat different points FACE, HANDS, DRAPERY, ETC.
What to read after The Art of Retouching?
You can find similar books in the "Read Also" column, or choose other free books by J P Ourdan to read onlineMoreLess
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