The Art of Story-Writing

Cover The Art of Story-Writing
The Art of Story-Writing
J Berg Joseph Berg Esenwein
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It would become most tiresome to record cM of the happenings of a single day, be that day as dra- matically exciting as it might be. The most extreme realist draws a discreet veil over the dull routine of shoe- shining, and hair-brushing, and hand-cleansing, and banal street-car conversation. He chooses and arranges so as to seem to be telling all in a natural order, yet all the while artfully subdues the tmimportant so as to lead up to the points of major interest.
(c) The EFFECT of a plot is
...its reason for being, hence everything in the arrangement must cast a shrewd look toward what that effect (on the reader) is going to be, and further constant and equally acute glances at all the schemes you adopt to bring out the effect most strongly, pleasingly, surprisingly — or whatever may be yoiu: object.
(d) A plot must feature a crisis in the life of the chief character in the story. "A mere chain of happenings which do not involve some change or threatened change in the Digitized by Google 148 THE ART OF STORY-WRITING character, the welfare, the destinies of the leading 'people/ would not form a plot.


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