The Art of the Dresden Gallery Notes And Observations Upon the Old And Modern M
The Art of the Dresden Gallery Notes And Observations Upon the Old And Modern M
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In our eReader you can find the full English version of the book. Read The Art of the Dresden Gallery Notes And Observations Upon the Old And Modern M Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Art of the Dresden Gallery Notes And Observations Upon the Old And Modern M
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The subject is not a pleasant one, but it is treated by a master, and there is much underlying thought in this suggestive dis- position of colours. The smoky background is ap- propriate, and no criticism can be offered regarding the technique. The flashily dressed lute-player on the left, in his dashing black and white costume. 304 Ube Hrt of tbe H)re6&en Gallery and with his leering expression, may be regarded as the bellows fanning the flame. No one so far as I know has given Vermeer credit f...or suggesting this elemental conception, but it seems to be a justi- fiable interpretation of the colour scheme, which is so unusual for this painter. The picture is over four feet square. As is fitting for so large a canvas, the treatment is broader than in most of Vermeer's work, and the sharp red and yellow, harmonious in spite of their primitive rawness, are laid in broad, daring masses. Instead of beginning by painting small pictures, and gradually branching out into a larger size, Ver- meer began by treating his subjects on a large scale, and refining his handling afterward, so that he never, even in his tiniest cabinet pieces, lost a certain breadth of feeling which makes his pictures power- ful in spite of their minuteness.
What to read after The Art of the Dresden Gallery Notes And Observations Upon the Old And Modern M?
You can find similar books in the "Read Also" column, or choose other free books by Julia De Wolf Addison to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The subject is not a pleasant one, but it is treated by a master, and there is much underlying thought in this suggestive dis- position of colours. The smoky background is ap- propriate, and no criticism can be offered regarding the technique. The flashily dressed lute-player on the left, in his dashing black and white costume. 304 Ube Hrt of tbe H)re6&en Gallery and with his leering expression, may be regarded as the bellows fanning the flame. No one so far as I know has given Vermeer credit f...or suggesting this elemental conception, but it seems to be a justi- fiable interpretation of the colour scheme, which is so unusual for this painter. The picture is over four feet square. As is fitting for so large a canvas, the treatment is broader than in most of Vermeer's work, and the sharp red and yellow, harmonious in spite of their primitive rawness, are laid in broad, daring masses. Instead of beginning by painting small pictures, and gradually branching out into a larger size, Ver- meer began by treating his subjects on a large scale, and refining his handling afterward, so that he never, even in his tiniest cabinet pieces, lost a certain breadth of feeling which makes his pictures power- ful in spite of their minuteness.
What to read after The Art of the Dresden Gallery Notes And Observations Upon the Old And Modern M?
You can find similar books in the "Read Also" column, or choose other free books by Julia De Wolf Addison to read onlineMoreLess
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