The Art of the Moving Picture
The Art of the Moving Picture
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In our eReader you can find the full English version of the book. Read The Art of the Moving Picture Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Art of the Moving Picture
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Titian and other painters as well asTintoretto employed this method as the means of determining the light andshade of their design. Afterwards the later stages of their work werepainted from the life. But in Tintoretto's compositions the position andarrangement of his figures as he began to dwell upon his greatconceptions were such as to render the study from the living model amatter of great difficulty and at times an impossibility. .. . He . .. Modelled his sculptures . .. Imparting to his mo...dels a far more completecharacter than had been customary. These firmly moulded figures, sometimes draped, sometimes free, he suspended in a box made of wood, orof cardboard for his smaller work, in whose walls he made an aperture toadmit a lighted candle. .. . He sits moving the light about amidst hisassemblage of figures. Every aspect of sublimity of light suitable to aMadonna surrounded with angels, or a heavenly choir, finds its miniatureresponse among the figures as the light moves.
"This was the method by which, in conjunction with a profound study ofoutward nature, sympathy with the beauty of different types of face andvarieties of form, with the many changing hues of the Venetian scene, with the great laws of color and a knowledge of literature and history, he was able to shadow forth his great imagery of the intuitional world.
What to read after The Art of the Moving Picture?
You can find similar books in the "Read Also" column, or choose other free books by Lindsay Vachel to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Titian and other painters as well asTintoretto employed this method as the means of determining the light andshade of their design. Afterwards the later stages of their work werepainted from the life. But in Tintoretto's compositions the position andarrangement of his figures as he began to dwell upon his greatconceptions were such as to render the study from the living model amatter of great difficulty and at times an impossibility. .. . He . .. Modelled his sculptures . .. Imparting to his mo...dels a far more completecharacter than had been customary. These firmly moulded figures, sometimes draped, sometimes free, he suspended in a box made of wood, orof cardboard for his smaller work, in whose walls he made an aperture toadmit a lighted candle. .. . He sits moving the light about amidst hisassemblage of figures. Every aspect of sublimity of light suitable to aMadonna surrounded with angels, or a heavenly choir, finds its miniatureresponse among the figures as the light moves.
"This was the method by which, in conjunction with a profound study ofoutward nature, sympathy with the beauty of different types of face andvarieties of form, with the many changing hues of the Venetian scene, with the great laws of color and a knowledge of literature and history, he was able to shadow forth his great imagery of the intuitional world.
What to read after The Art of the Moving Picture?
You can find similar books in the "Read Also" column, or choose other free books by Lindsay Vachel to read onlineMoreLess
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