The Art of the Moving Picture ...Being the 1922 Revision of the book First Issued in 1915 ... By Vachel Lindsay
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I venture the first right these things have to be taken care of in museums is to stimulate to new creative effort. I went to look over the Chicago collection with a friend and poet Arthur Davison Ficke. He said something to this effect: "The first thing I see when I look at these fragments is the whole cathedral in all its original pro- portions. Then I behold the mediaeval market- place hunched against the building, bxirying the foundations, the life of man growing rank and weedlike around it.... Then I see the bishop coming from the door with his impressive train. But a crusade may go by on the way to the Holy Land. A crusade may come home battered and in rags. I get the sense of life, as of a rapid in a river flowing round a great rock." The cathedral stands for the age-long medi- tation of the ascetics in the midst of battling tribes. This brooding architecture has a blood- brotherhood with the meditating, saint-seeing Jeanne d'Arc. There is in the Metropolitan Museum a large and famous canvas painted by the dying Bastien- Lepage; — Jeanne Listening to the Voices.
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