The Art of the National Gallery; a Critical Survey of the Schools And Painters As Represented in the British Collection, By Julia De Wolf Addison..
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And the most remarkable part about it is that he painted as a rule in fresco, which vehicle is much more difficult to render transparent than is oil. Probably from Mantegna he derived his mastery over foreshortening, which leaves him unrivalled except by Michelangelo. His true abilities can only be seen in Parma, where he frescoed the vaults of the cathedral. His preference was for painting women or children ; with the mas- culine he had small sympathy. Although extremely emotional, his emotion...s are simple and easily un- derstood. He requires no interpreter, as a more intellectual artist often does. He is distinctly ob- vious; one either likes or does not like him with- out having to wait to hear why.
In his perfection, Correggio is seen in the gentle Madonna with the Child, No. 23, an early picture painted shortly after his own marriage. The rol- CORREGGIO. MERCURY AND VENUS INSTRUCTING CUPID Xombar&B an& tbe Decadence 129 licking mood of the infant and the indulgent but worshipful love of the mother make this one of the best religious paintings that Correggio achieved.
What to read after The Art of the National Gallery; a Critical Survey of the Schools And Painters As Represented in the British Collection, By Julia De Wolf Addison..?
You can find similar books in the "Read Also" column, or choose other free books by Addison, Julia De Wolf Gibbs, 1866- to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
And the most remarkable part about it is that he painted as a rule in fresco, which vehicle is much more difficult to render transparent than is oil. Probably from Mantegna he derived his mastery over foreshortening, which leaves him unrivalled except by Michelangelo. His true abilities can only be seen in Parma, where he frescoed the vaults of the cathedral. His preference was for painting women or children ; with the mas- culine he had small sympathy. Although extremely emotional, his emotion...s are simple and easily un- derstood. He requires no interpreter, as a more intellectual artist often does. He is distinctly ob- vious; one either likes or does not like him with- out having to wait to hear why.
In his perfection, Correggio is seen in the gentle Madonna with the Child, No. 23, an early picture painted shortly after his own marriage. The rol- CORREGGIO. MERCURY AND VENUS INSTRUCTING CUPID Xombar&B an& tbe Decadence 129 licking mood of the infant and the indulgent but worshipful love of the mother make this one of the best religious paintings that Correggio achieved.
What to read after The Art of the National Gallery; a Critical Survey of the Schools And Painters As Represented in the British Collection, By Julia De Wolf Addison..?
You can find similar books in the "Read Also" column, or choose other free books by Addison, Julia De Wolf Gibbs, 1866- to read onlineMoreLess
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