The Art of Theatrical Make Up

Cover The Art of Theatrical Make Up
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High lights of white mixed with a little yellow are placed on the forehead, on the pouches under the eyes, and on the cheeks. Blend these with the groundwork carefully.
The beard and moustache are so placed that the actual outlines of the cheeks are lost. The beard is blended into the cheeks with crepe hair.
The eyelashes are coloured with reddish yellow making them seem smaller.
51 SHYLOCK Shylock. I am bid forth to supper, Jessica : There are my keys. But wherefore should I go ? I am not bid
...for love ; they flatter me : But yet ril go in hate, to feed upon The Prodigal Christian. Jessica, my girl, Look to my house. I am right loth to go : There is some ill a-brewing towards my rest, For I did dream of money-bags to-night.
52 > » » 53 i !
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5() SHYLOCK A DIGNIFIED figure really, but under the lash of persecution dis- closing the evil qualities of revengefulness and craft. Strong, cruel, and resentful.
The nose is built with nose-paste and carefully modelled after it is joined. In the progressive prints, Figs.


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