The Art Theatre a Discussion of Its Ideals Its Organization And Its Promise a
The Art Theatre a Discussion of Its Ideals Its Organization And Its Promise a
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102 Acting and Actors ii After the music of speech there is a corre- sponding requirement of rhythm in the actor's movements. Not only must his gestures be quietly expressive, but there must be a certain grace of bodily action, and a measured fluidity or rhythm in changes from posture to posture. Just as in the use of the voice, there must be overtones of feeling: the face, the hands, the body and limbs must interpret the subtler emo- tion which are not expressed in the larger actions. For the ...face when used as a mask, and the body when directed as an instrument of rhythmic ex- pression, can register shades of feeling which are impossible even to the perfectly modulated voice.
In the American theatre there used to be gen- erations of actors who possessed the subtlest pow- ers of expression and distinguished grace of bear- ing. The older generation in the theatre today has a charm of manner, a dignity of presence, which shames the average player. If this some- times amounts to a romantic affectation or arti- ficiality, so that we are apt to say disparagingly, "He has the manner of an old actor, " it still is no argument for throwing away the principle of beautiful movement.
What to read after The Art Theatre a Discussion of Its Ideals Its Organization And Its Promise a?
You can find similar books in the "Read Also" column, or choose other free books by Cheney Sheldon to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
102 Acting and Actors ii After the music of speech there is a corre- sponding requirement of rhythm in the actor's movements. Not only must his gestures be quietly expressive, but there must be a certain grace of bodily action, and a measured fluidity or rhythm in changes from posture to posture. Just as in the use of the voice, there must be overtones of feeling: the face, the hands, the body and limbs must interpret the subtler emo- tion which are not expressed in the larger actions. For the ...face when used as a mask, and the body when directed as an instrument of rhythmic ex- pression, can register shades of feeling which are impossible even to the perfectly modulated voice.
In the American theatre there used to be gen- erations of actors who possessed the subtlest pow- ers of expression and distinguished grace of bear- ing. The older generation in the theatre today has a charm of manner, a dignity of presence, which shames the average player. If this some- times amounts to a romantic affectation or arti- ficiality, so that we are apt to say disparagingly, "He has the manner of an old actor, " it still is no argument for throwing away the principle of beautiful movement.
What to read after The Art Theatre a Discussion of Its Ideals Its Organization And Its Promise a?
You can find similar books in the "Read Also" column, or choose other free books by Cheney Sheldon to read onlineMoreLess
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